Tale of the Nine-Tailed 1938
🎬 Prime Video · TVING
⭐ 8.8 / 10 MDL
📅 15+
📋 Drama Overview
Everything you need to know before you hit play.
✨ Fantasy Must-Watch
TVING
Lee Yeon (Lee Dong Wook) finally has what he spent centuries searching for — the woman he loves, and a life that feels like it belongs to him. Then the Samdocheon Guardian Stone is stolen, and he is dragged back in time to 1938 Gyeongseong, Korea under Japanese occupation. Disoriented and cut off from the present, he finds himself navigating a colonial world where the supernatural and the human coexist in uneasy, dangerous proximity.
In this version of 1938, he encounters Ryu Hong-joo (Kim So Yeon), now the formidable owner of the luxury restaurant Myoyeongak, and reunites with his estranged younger brother Lee Rang (Kim Bum) — still carrying every wound from their complicated history. Standing against them is Cheon Moo-young (Ryu Kyung Soo), once a trusted ally who has turned dangerously hostile. To get back to the present, Lee Yeon must recover the stone, face the past he never fully resolved, and decide what his brother truly means to him.
12 / 12 ✅ Completed
⚡ Quick Verdict
One box. Everything you need to decide.
· MDL Score · 23,216 ratings
▶ Official Trailer
🎭 Cast & Characters
A gumiho, his estranged brother, and the formidable western mountain god — together against a 1938 that wants them all dead.

Lead

Lead

Lead

Antagonist

Supporting

Supporting

Supporting

Supporting

Supporting

Supporting

Supporting

Supporting
📺 Episode Guide
Spoiler-light recaps — enough to remember where you left off, nothing that ruins the ride.
🏁 Ending Explained
Full spoilers ahead — everything that happens in the finale and what it all means.
Spoiler Warning — This section covers the full finale of Tale of the Nine-Tailed 1938. Stop here if you haven’t finished the series.
Satori Falls — and Lee Rang Delivers the Final Blow. The finale’s emotional spine is Lee Rang’s. After 11 episodes of unresolved resentment, competing loyalties, and a love he didn’t know how to hold, Lee Rang stands with his brother against Satori — a malevolent entity old enough to predate most of what Lee Yeon knows — and it’s Lee Rang who lands the decisive strike. The scene earns everything that was built toward it. The show wisely doesn’t let it be clean or triumphant: Lee Rang wins, but the cost is written all over him. Cheon Moo-young’s backstory is revealed in full during the confrontation — he wasn’t a villain, he was a friend who lost everything and broke, which makes his hostile arc retroactively tragic rather than antagonistic.
A Farewell That Actually Lands. Lee Rang choosing to stay in 1938 is the drama’s best decision. He has Yeo-hee. He has a version of himself he can actually live with. Going back to the present — where Lee Yeon has Nam Ji-ah and a life that has moved on — holds nothing for him. The goodbye between the brothers is written with unusual restraint: no grand speech, no tearful declaration, just two people who spent centuries unable to say what they meant, finally finding a way to say it without saying it. Lee Yeon’s return to the present closes the loop cleanly. He gets back to Ji-ah. The Guardian Stone is restored. The timeline holds.
What the Sequel Was Really About. Season 1 was Lee Yeon’s story — a gumiho who waited a thousand years for the woman he loved. This sequel is Lee Rang’s, and it’s better for focusing there. The 1938 setting isn’t just atmosphere: placing two supernatural brothers inside colonial Korea adds a specific, pressurised backdrop where the question of who you fight for becomes genuinely urgent. Lee Rang’s arc — from resentful half-blood to the man who saved everyone and chose love over return — is the strongest character work in either series. The finale aired to 8.02% nationwide, the highest-rated episode of the entire run — and it felt earned.
✍️ KDramaWorlds Editor’s Take
Our honest read on why this drama is worth your time — and who it’s for.
Sequels to beloved fantasy dramas are a gamble, and Tale of the Nine-Tailed (2020) had enough goodwill built up that a misstep would have stung. What 1938 gets right is its instinct to shift the centre of gravity. Lee Dong Wook is charming and dependable as Lee Yeon, but this season belongs to Kim Bum — and everyone involved seems to know it. Lee Rang’s arc across 12 episodes is the kind of writing that rewards the audience’s patience: it’s slow to move, entirely earned, and lands with genuine emotional force. The 1938 colonial setting gives everything a darker, more urgent undertone than the present-day sections of Season 1 ever had.
Kim So Yeon as Ryu Hong-joo is the season’s best casting decision after Kim Bum. She plays the western mountain god as a woman who has survived by being harder than everything around her, and the cracks that show when her history with Lee Yeon resurfaces are the most interesting thing the drama does with its returning mythology. If you enjoyed Doom at Your Service (2021) for its supernatural melancholy, Hong-joo’s storyline here will hit the same notes. The romance between Lee Rang and Jang Yeo-hee is unexpected and completely works — a half-blood fox and a mermaid singer in 1938 Gyeongseong is exactly as bittersweet as it sounds.
The one genuine weakness is Cheon Moo-young, whose hostile motivation stays frustratingly opaque for too long. Ryu Kyung Soo is a compelling presence, but the character’s tragic backstory arrives late enough that it feels compressed rather than revelatory. Satori as the final villain is effective but slightly abrupt. These are real criticisms — and they matter less once the finale arrives, because what Lee Rang’s story delivers in those last two episodes is enough to carry everything. A rare sequel that earns its existence.
Anyone drawn to Korean mythology in historical settings
Viewers who love slow-burn sibling reconciliation arcs
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