OK! Let’s Get Divorced
📋 Drama Overview
A quick primer before the opening scene.
Baek Mi-young and Ji Won-ho did everything in the right order: fell in love at first sight, got married, co-founded a wedding dress company together. Seven years later, the company is thriving and the marriage isn’t — and OK! Let’s Get Divorced opens exactly where most K-dramas would end, with a couple who built something real together deciding that ending the marriage might be the healthiest thing left to do.
What makes the premise sharper than the average divorce dramedy is the business problem sitting underneath the personal one: Mi-young and Won-ho can’t just walk away from each other, because G&White still needs both of them to survive. KBS Drama and GTV are co-airing the twelve-episode run starting August 19, with Lee Min-jung and Kim Ji-seok playing a couple whose chemistry has curdled into something closer to a very well-run business partnership — the show’s whole bet is on finding the comedy, and eventually the feeling, in two people trying to divorce their marriage without divorcing their company.
⚡ Quick Verdict
One box. Everything you need to decide.
▶ Official Trailer
🎭 Cast & Characters
The couple, the company, and everyone circling both.

Lead

Lead

Supporting

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Supporting
📺 Episode Guide
Catch up fast — spoiler-light, episode by episode.
🏁 Ending Explained
Full spoilers — breaking down the finale and what it means.
What actually happens Baek Mi-young and Ji Won-ho’s divorce actually goes through — they stand at the courthouse in the finale and finally say what seven years of damage never let either of them say out loud. Neither looks satisfied, exactly. It plays less like a happy ending and more like the only outcome that much history could still produce. Then the show jumps a year ahead: G&White is back up and running, just as busy as ever, life moving forward whether or not either of them has actually moved on.
The finale is careful not to hand them a clean reunion. Episode seven already let them say the feelings out loud, episode ten had Won-ho half-proposing mid-lawsuit, and by episode eleven he’s selling the company they built together just to keep her out of the fallout from someone else’s crime — all of it reading like two people who never actually stopped loving each other. None of that stops the paperwork. The divorce is still the divorce, and the show ends on the one-year jump without ever confirming whether ‘starting over’ meant getting back together or just finally being at peace apart.
What Kyung-tae actually did The miscarriage Mi-young spent the whole series blaming on medicine from three years ago finally gets a name attached to it: Kang Kyung-tae. Song Ah-ri does the digging Mi-young couldn’t do herself and finds hard evidence sitting in his own drawer, tying him directly to it — the ‘name neither saw coming’ the show teased back in episode eight. His confession in episode eleven doesn’t just close the mystery, it detonates the rest of the season: it’s the reason Won-ho sells the company without telling her, trying to shield her from a blast radius she never agreed to.
It reframes Won-ho more than it resolves anything for Mi-young. He spends the finale stretch making a unilateral, expensive decision to protect her from pain that was never his fault to carry — which is exactly the kind of move that got them divorced in the first place, just aimed at her benefit this time instead of against it. Mi-young’s fury at him for it, not grief, is the show’s last real character beat before the courthouse: she never wanted protecting, she wanted honesty, and even his good intentions still cost her a say in her own life.
The KDW verdict OK! Let’s Get Divorced spends twelve episodes arguing that a marriage can be genuinely over and genuinely unfinished at the same time, and it has the nerve to end there instead of resolving the tension for the audience’s comfort. The Kyung-tae reveal gives the back half real stakes instead of just melodrama for its own sake, and Won-ho’s company sale is the rare grand romantic gesture that the show treats as a real problem instead of an easy win. Whether the one-year jump reads as hopeful or unresolved probably depends on what you needed this couple to prove — which is likely the point.
✍️ KDramaWorlds Editor’s Take
Worth watching or not — our honest read, and who it’s for.
The premise does something most divorce dramas avoid: it refuses to make the marriage’s collapse anyone’s fault in particular. Seven good years, one bad incident in year four, and a slow accumulation of exhaustion that Baek Mi-young finally names out loud in year seven — that’s a much harder story to tell with jokes than a betrayal plot, and it’s the thing worth watching for once the show actually airs. Lee Min-jung hasn’t done straight romantic comedy in a while, and a role built on someone choosing peace over reconciliation is a different kind of showcase than the genre usually offers her.
The wedding-dress company setting is doing more work than it looks like on paper. G&White exists because Mi-young and Won-ho fell in love at first sight — it’s literally built on the premise their marriage is now abandoning. Keeping them as co-CEOs after the divorce isn’t just a plot mechanism to keep the leads in scenes together; it’s the show forcing its two leads to keep proving, professionally, that the thing they built was real even if the marriage around it wasn’t sustainable.
Two episodes in, the tonal tightrope between comedy and genuine marital fatigue looks to be holding — the Cheon Man-joo dress deal is exactly the kind of plot engine that can keep Mi-young and Won-ho in the same room without forcing a fake reconciliation. A crowded supporting cast circling the central divorce could still tip it toward overwhelming across the remaining episodes, but the setup has earned its shot.
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